As
we slid down through it we met strings of Chasseurs Alpins coming
up, splashed to the waist with wet red clay, and leading pack-mules
so coated with it that they looked like studio models from which the
sculptor has just pulled off the dripping sheet. Lower down we came
on more "trapper" settlements, so saturated and reeking with wet
that they gave us a glimpse of what the winter months on the front
must be. No more cheerful polishing of fire-arms, hauling of
faggots, chatting and smoking in sociable groups: everybody had
crept under the doubtful shelter of branches and tarpaulins; the
whole army was back in its burrows.
August 17th.
Sunshine again for our arrival at Belfort. The invincible city lies
unpretentiously behind its green glacis and escutcheoned gates; but
the guardian Lion under the Citadel--well, the Lion is figuratively
as well as literally _a la hauteur._ With the sunset flush
on him, as he crouched aloft in his red lair below the fort, he
might almost have claimed kin with his mighty prototypes of the
Assarbanipal frieze. One wondered a little, seeing whose work he
was; but probably it is easier for an artist to symbolize an heroic
town than the abstract and elusive divinity who sheds light on the
world from New York harbour.
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